J. S. BACH AND THE KNOTTY GEOMETRY OF LYDIAN INTERVALS

J._S._BACH_AND_THE_KNOTTY_GEOMETRY_OF_LYDIAN_INTERVALS

If you go back to what I have been writing on the geometry of the torus, you will find there the connection between geometry and the Lydian modality in music. My last report, for instance, is precisely on that subject. Although I barely used the term of “Lydian” in it, I used the same knotty epistemological performative action in composing it.

THE POWER OF SELF-GENERATING THE FUTURE WITH THE THREE MUSICAL LYDIAN PREESTABLISHED HARMONIC SPIRALS

https://www.amatterofmind.us/wp-content/uploads/2022/11/THE_POWER_OF_SELF-GENERATING_THE_FUTURE_WITH_THE_THREE_MUSICAL_LYDIAN_PRE-ESTABLISHED_HARMONIC_SPIRALS-2.pdf

This report is the product of a collaboration which has been developing, off and on,
between Fred Haight and Pierre Beaudry during a period of about forty years on the subject of
Lydian intervals, as a musical principle of axiomatic change.

THE COINCIDENCE BETWEEN THE DAYS OF THE WEEK AND THE PLANETARY ORBITS SHOWS HOW HEAVEN IS THE HOME OF ONE HUMANITY

THE_COINCIDENCE_BETWEEN_THE_DAYS_OF_THE_WEEK_AND_THE_PLANETARY_ORBITS_SHOWS_HOW_HEAVEN_IS_THE_HOME_OF_ONE_HUMANITY

As I was recently gazing at the stars, I realized, suddenly, that there was a reason behind the coincidence of the seven wandering planets and the days of the week, which I had not discovered before, and thus had not reported in my previous examination of this subject back in 2009. [1] This coincidence tells us that the heaven is the true home of one humanity.


[1] See Pierre Beaudry, BAILLY’S METHOD OF DISCOVERY BY EPISTEMOLOGICAL HYPOTHESIS: AN “ANALYSIS SITUS” APPROACH TO THE HISTORY OF ANCIENT ASTRONOMY