HAPPY NEW YEAR
During the 1980’s, LaRouche identified how to understand music from the vantage point of the geometry that Eugenio Beltrami had constructed following Gottfried Leibniz’s and Bernhard Riemann’s pioneering investigations in the domains of analysis situs and negative curvature. LaRouche said at the time: “Crucial proof of Beltrami’s corrective supplement to Riemann curvature renders intelligible to a much deeper degree, the otherwise empirically demonstrable principles of composition of classical music.”
Lyndon LaRouche’s crucial point on the matter of creativity has always been centered on the fact that the student must be given a chance to relive the mental experience of generating a discovery of principle by means of constructive geometry; that is, by means of a transformative process of self-developing envelopment. As LaRouche once put it: “Believe nothing that for which you cannot give, yourself, a constructive proof.”
